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I feel like everyone just gets constricted by their parents or just life." It's a social connection trap from what you want to do and how you want to express yourself. I'm not saying that it's a trap, we not in the fucking projects, but it's like a social trap.
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In an interview with Billboard, Scott explained the meaning of his album title: "My next album, Birds in the Trap Sing McKnight is basically about all my friends and growing up here. He first removed all of his tweets, and announced the title to the album on the Anti World Tour. While going on the road, Scott had been tweeting on what the title is to the album on Twitter. On January 4, 2016, Scott announced on his Snapchat account that he would be revealing the title for his new album at the time. The album received generally favorable reviews from critics, debuting at number one on the US Billboard 200, earning 88,000 album units in the first week. Production was handled by a number of record producers, including Nav, Vinylz, Mike Dean, Cardo, Frank Dukes, and Allen Ritter, among others.īirds in the Trap Sing McKnight was supported by three singles: "Wonderful", " Pick Up the Phone", and " Goosebumps". The album features guest appearances from André 3000, Blac Youngsta, Kid Cudi, Nav, 21 Savage, Kendrick Lamar, Bryson Tiller, Young Thug, Quavo, K. It exclusively premiered through Travis Scott and Chase B's radio show Wav Radio on Beats 1 and Apple Music. It was released on September 2, 2016, through Grand Hustle Records and distributed by Epic Records. They all pass in a slow-motion blur.Birds in the Trap Sing McKnight is the second studio album by American rapper Travis Scott. Among the others on the guest carousel are Kendrick Lamar, Kid Cudi, 21 Savage, and Cassie. This time, Scott co-produced only one track, another Weeknd collaboration, and it easily slips into the album's scheme with its serpentine menace and lightweight lyricism. Only on "Guidance," through scuttling drums granted by DF, is there a significant shake-up. Swarming basslines and sluggish beats likewise form the rhythmic foundation, with gauzy and tickling keyboards adding sweetness to Scott's hedonistic hooks.
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of Scott, who remains deeply into heavy accessorization and proclamations of dominance, as well as punctuations with affirmative exclamations cast in dehumanizing pitch alteration. The album's deepest verse by a great measure, it has no discernible connection to Scott's surrounding rhymes of cocksure nonsense. Among the present is André 3000, who drops by on "The Ends" to recollect the infamous rash of murders that struck his city during his early childhood. Released almost exactly a year after Rodeo, Birds in the Trap features little development, though the large company Scott keeps is quite different, and Metro Boomin is noticeably absent. It's easily the track with the most pop appeal on Scott's second full-length. "Pick Up the Phone" functioned as the lead single off Thug's JEFFERY, and it sensibly reappears here, buried in the latter half, de-emphasized yet not quite a tacked-on bonus. Titled after one of Quavo's lines from the chirpy summertime 2016 hit co-billed to Travis Scott and Young Thug, this fitfully hypnotizing follow-up arrived after numerous delays, toward the end of the year's third quarter.